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Voodah in "Murder!" (McCombs; 1949)

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The golden age African warrior, Voodah, from Crown Comics was eventually changed into just another white jungle lord in a loincloth. The reasoning behind this unfortunate transformation is now lost to the ages, but such is life. Voodah finds himself accused of vengeful, cold-blooded murder when he agrees to guide a rhino hunt. Two natives and a white man meet violent death in a tale appropriately titled “Murder!” from Crown Comics #16 (Jan.1949); originally published by McCombs Publications, written by Ken Fitch and nicely drawn by Anthony Cataldo and Ruben Moreira. The Catacombs acknowledges "Comic Book Plus" as the source of this classic comic story. Note: The copyright for this issue, its contents and artwork belongs to the original publishers and/or the creators and is reproduced here solely for entertainment purposes. Enjoy!

"Gal" Friday! Elvgren & Vargas

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Plans for additional posts have gone kerflumph lately, so here's a quickie jungle girl post with art by the great Gil Elvgren and Alberto Vargas. Enjoy!

Blackhawk in "The Red Kamakaze Terror" (Quality; 1956)

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Today the Catacombs presents the first of two Cold War adventures of the legendary fighter aces of WWII that will be featured this week. A traitorous Chinese general is working for the Communists against the Taiwanese air force in “The Red Kamakaze Terror” from Blackhawk #105 (Oct. 1956); originally published by Quality Comics and illustrated by Dick Dillin (future Justice League of America artist) & Chuck Cuidera. The Blackhawk Squadron, usually just called the Blackhawks, were a small team of World War II-era pilots of varied nationalities, each typically known under a single name (either their given name or their surname): Blackhawk; Chop Chop; Stanislaus; Hendrickson; Chuck; Olaf; Andre. The Catacombs acknowledges "Comic Book Plus" as the source of this classic comic story. Note: The copyright for this issue, its contents and artwork belongs to the original publishers and/or the creators and is reproduced here solely for entertainment purposes. Enjoy!

Blackhawk in "The Master of Treachery" (Quality; 1956)

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It’s a day later than intended, but here is the second of this weeks promised Cold War adventures of the legendary fighter aces of WWII. The Blackhawks travel to Morocco to help the French forces against a bandit financed by Communistsin “The Master of Treachery” also from Blackhawk #105 (Oct. 1956); originally published by Quality Comics, written by Dick Wood and illustrated by Dick Dillin (future Justice League of America artist) & Chuck Cuidera. The Blackhawk Squadron, usually just called the Blackhawks, were a small team of World War II-era pilots of varied nationalities, each typically known under a single name (either their given name or their surname): Blackhawk; Chop Chop; Stanislaus; Hendrickson; Chuck; Olaf; Andre. The Catacombs acknowledges "Comic Book Plus" as the source of this classic comic story. Note: The copyright for this issue, its contents and artwork belongs to the original publishers and/or the creators and is reproduced here solely for entertainment purposes. Enjoy!

"Gal" Friday! The Women of Kick-Ass 2

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If you enjoyed the 2010 film Kick-Ass, then you'll probably not be too disappointed with the sequel Kick-Ass 2. Jim Carrey and John Leguizamo are really good in their supporting roles, adding lots of heart to the overall story. However, let's face it, if you're a fan of the earlier movie, then Hit-Girl WAS the real star of the show. Chloe Grace Moretz reprises her wonderful "ass-kicking" role, and you can basically forget the titular star, whose name escapes me (which is about as much of an impression as he made ... again). This time two other women grab a bit of the limelight as well. Lindy Booth portrays "Night-Bitch", one of an army of superheroes inspired by the exploits of Kick-Ass himself. She is a deliciously sweet woman. Bodybuilder Olga Kurkulina is also fearsome as "Mother Russia" on the opposite side of the table as a primary villain (and the only one of note, besides the rechristened "Motherfucker" aka Red Mist). Kurkulina dolls up quite nicely in the real world, and she has been photographed in the buff, so fetish types should google those if you wanna see a different side of this bad girl (I'm not featuring those photos just so you have to do an extra bit of surfing). All three "gals" are officially inducted into the Catabombs as this weeks pick!

Captain Kiddeo in "Space Bum" (Farrell; 1958)

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Today I didn’t strangle, shoot, run over, explode, demolish, defame, or otherwise destroy any of the vast army of assholes that have been irritating the living shit out of me lately; but I refuse to DENY that they exist (having contributed to the birth of some of them). Therefore an “outside the box” kind of silver age story is called for (in order to lighten my foul mood). Captain Kiddeo stars in “Space Bum” which is taken from Strange Journey #3 (Feb. 1958); originally published by Ajax-Farrell and illustrated [supposedly] by the Iger Shop gang. The Catacombs acknowledges "Comic Book Plus" as the source of this classic comic story. Note: The copyright for this issue, its contents and artwork belongs to the original publishers and/or the creators and is reproduced here solely for entertainment purposes. Enjoy!

Remembering Babylon 5!

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Babylon 5 originallypremiered on February 22, 1993 [pilot], and the regular series initially aired from January 26, 1994 through November 25, 1998. B5 launched an era of television CGI visual effects and in the process earned multiple awards during its initial run, including two consecutive Hugo Awards for best dramatic presentation, several Emmys and Saturn awards, and continues to regularly figure prominently in various polls and listings highlighting top-rated science fiction series. Set between the years 2258 and 2262, it depicts a future where Earth has sovereign states, and a unifying Eartgov. Today let’s take a few moments to remember the talented cast members (both major, minor, and recurring) who have passed away since the show ended: Michael O’Hare (Commander Jeffrey Sinclair); Andreas Katsulas (Ambassador G’Kar); Richard Biggs (Dr. Stephen Franklin); Jeff Conaway (Zack Allen); plus Robin Sachs (various) and Tim Choate (Zathras).

[L to R]; Michael O'Hare -Andreas Katsulas-Richard Biggs

Baltimore Comic-Con 2013!!

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I will be out flying from South Carolina to Maryland this evening to spend the weekend at the 2013 Baltimore Comic-Con. This will be my third consecutive visit to this fun show, and there's plenty of industry guests to get excited about: Neal Adams, Ken Bald, Brian Bolland, Sal Buscema, Jimmy Cheung, Frank Cho, Amanda Conner, Ramona Fradon, Ron Frenz, Jose Luis Garcia-Lopez, Keith Giffen, Michael Golden, Adam Hughes, Mike Mignola, George Perez, Ivan Reis, Stan Sakai, Walt Simonson, Jim Starlin, Herb Trimpe, and Bill Willingham just for starters. This year writer/director/actor Kevin Smith brings his AMC series," Comic Book Men" to Baltimore to film scenes for an upcoming episode too! Wish me luck in getting my small stack of classic back issues signed by those talented folks in attendance; although the fact that I sprung for the VIP admittance package might help out with that goal. See you next week with some fun details!


[L to R] Brian Bolland; Sal Buscema; Ramona Fradon


My Baltimore-Comic Con Report!

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Jim Cheung art [detail]!
The 2013 Baltimore Comic-Con occupies two conjoined halls in the city's nice convention center, and this year they really packed those rooms to the gills. Sheesh, were there ever a mother's ton of attendees. Now, if only the bulk of them could manage to be a little more courteous to others in their zeal to get around the convention floor. I was repeatedly bodyslammed from one side of the aisle to another throughout both days of the show, a phenomenon that I have unfortunately come to expect from Baltimore over the three years that I have visited that show. It's too bad really, as otherwise this is a really fun convention. That is not a reflection on the organizers or guests, just an unruly upper seaboard level of crassness that offends my Southern sensibilities. Adding insult to injury, I typically stop, cede ground, or try to move out of the way as necessary; and even then sons of bitches still kept plowing into me. By the time that I finally threw in the towel on both days, I admit to having tipped over into being full blown angry at the common herd.

Oh, well! Despite that unfortunate experience, it was extremely gratifying to finally meet Ramona Fradon, Brian Bolland, Don McGregor, Ron Randall, and several other guests who were in attendance; plus seeing many more comics industry favorites all over again is always a plus. I only managed to get about half of the items signed that I took with me, and then opted out of attempting the rest solely to minimize the amount of time spent standing static on the cruel concrete flooring. I picked up a small handful of bronze age books to flesh out my collection, and picked up a few additional items. This year I shelled out the most cash to have Jimmy Cheung illustrate my blank white variant cover of Marvel's Infinity #1. I didn't select a subject, and simply left that up to the artist, and he returned a spectacular Captain America (current costume design), which lived up to my expectations.

This year my brother David, our pal Burt, and I took in a few new Baltimore places and activities that we hadn't previously, and then all too soon had to head back to the Carolina's. I've included a few random photos for your edification. Enjoy!
Mid-afternoon crowd entering on Saturday
The most daring cosplayer in attendance; despite black shoes & socks.
Infinity #1 (art by Jim Cheung).

The Red Comet in "The Slasher" (Fiction House; 1952)

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Today we’re continuing with the space adventures theme that began with my last story post. The Red Comet makes his final appearance in “The Slasher” which is taken from Planet Comics #69 (Winter 1952); originally published by Fiction House, written by Cy Thatcher and illustrated by Rudy Palais. It must be mentioned that although this is chronologically the last appearance of this character, this story is in fact a reprint from Planet #20[previously issued a decade earlier]. The Catacombs acknowledges "Comic Book Plus" as the source of this classic comic story. Note: The copyright for this issue, its contents and artwork belongs to the original publishers and/or the creators and is reproduced here solely for entertainment purposes. Enjoy!

Zegra in "The Black Pool" (Fox; 1949)

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Zegra returns to the Catacombs today in a fun adventure called "The Black Pool" from Zegra, Jungle Empress #4 (Feb.1949); originally published by Fox Feature Syndicate. There are no identified creator credits available. The Catacombs acknowledges "Comic Book Plus" as the source of this classic comic story. Note: The copyright for this issue, its contents and artwork belongs to the original publishers and/or the creators and is reproduced here solely for entertainment purposes.Enjoy!

Nagra in "Jungle Justice" (Star Publications;1954)

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Nagra, White Goddess of the Blue Pygmies debuts today in a thriller titled “Jungle Justice” from Terrors of the Jungle #10 (Sept. 1954); originally released by Star Publications. The story which introduces Nagra was written and illustrated by Jay Disbrow.  The Catacombs acknowledges "Comic Book Plus" as the source of this classic comic story. Note: The copyright for this issue, its contents and artwork belongs to the original publishers and/or the creators and is reproduced here solely for entertainment purposes.Enjoy!

"Gal" Friday! Brenda Starr

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In lieue of a traditional "gal" Friday this week, I'm recommending that everyone give this book a read:

Before Fredric Wertham and The Seduction of the Innocent (SOTI), before the Kefauver Hearings, and before the infamous Comics Code, the comic book racks at local drug stores and newsstands boasted a plethora of delights highlighted by the good girl adventures of the comic book version of Brenda Starr. These four-color wonders displayed all the finer things loved by comic books buyers: good girls, bondage, a little torture, and other exciting things, which adults thought would corrupt the morals of young and impressionable readers (Brenda Starr cover art was even used as an example in SOTI). Now for the first time in over fifty years comics fans can read and own these rare comics from another era, digitally restored to perfection and presented in an archival hardcover. In addition to presenting all of the Brenda Starr stories, this reprint also boasts all of the scintillating back-up features found in these books as well. WARNING! These stories are not for the faint of heart! This volume collects the first eight issues of the Superior Comics Brenda Starr Pre-Code comics with lovely art by Jack Kamen and Matt Baker, complete with a historical essay and other documentary material.

Brenda Starr: the Complete Pre-Code Comics Volume One: Good Girls, Bondage, and Other Fine Things from Hermes Press, retails for a measly $60.


Ka'a'nga in "The Treasure of Tembo Wanculu" (Fiction House; 1952)

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Ka'a'nga stars today in "The Treasure of Tembo Wanculu" from Jungle Comics #147 (Mar. 1952); originally published by Fiction House and illustrated by Maurice Whitman. The Catacombs acknowledges "Comic Book Plus" as the source of this classic comic story. Note: The copyright for this issue, its contents and artwork belongs to the original publishers and/or the creators and is reproduced here solely for entertainment purposes. Enjoy!

Ka'a'nga in "The Red Witch of Ubangi-Shan" (Fiction House; 1948)

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My impromptu Ka’a’nga week continues with an earlier tale than yesterdays’ golden age adventure circa Jungle Comics #105 (Sept. 1948); originally published by Fiction House. The title for “The Red Witch of Ubangi-Shan” comes from the issues cover, written by [‘Frank Riddell’] and illustrated by John Celardo. The Catacombs is grateful to Don “Zu-Gogo” Falkos for providing the scans for this story. Note: The copyright for this issue, its contents and artwork belongs to the original publisher and/or creators and is reproduced here solely for entertainment purposes.Enjoy!



Rayboy's Review: Afterlife with Archie (Archie Comics)!

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Roberto Aguirre-Sacasa is a playwright and screenwriter whose work has been featured on popular TV series such as Glee and Big Love.  Having previously written for Marvel Comics, he has just launched a new ongoing monthly series for Archie Comics that takes the classic Riverdale gang down some decidedly darker pathways. “Afterlife with Archie” features some outstanding artwork by co-creator Francesco Francavilla(he also handles the coloring), who has previously drawn Zorro, Detective Comics, The Black Panther and his own self-created title, The Black Beetle.

Be prepared for a different kind of Archie reading experience with this book as the supernatural holds sway at Riverdale High, and a number of well-known supporting cast members pay the price in the first issue alone. One alternate cover even teases a dire fate for Hot Dog, the beloved pet of Jughead Jones. How and why the poor canine falls victim to calamity is less important than how that tragic event transfigures the lives of the entire cast.
It is a more mature take on Archie and company for sure, and it wouldn’t be too far off of the mark to say that the success of The Walking Dead (both in comics and on television) certainly helped inspire this new series. Archie Comics may not get the perpetual headlines among the normal media outlets for comics-oriented news that are dominated by Marvel, DC and a few others, but the publisher has not let things stand static with their product over the past twenty years. They adapted their stable of characters to attract manga fans during that 1990s fad, then moved to release versions of the Riverdale gang in a more realistic art style, and recently issued top-selling runs that featured “what if” scenarios involving Archie marrying both Betty & Veronica. There was also the introduction of gay character Kevin Keller that attracted much media attention and wide acclaim; so kudos to publisher Jon Goldwater and Editor-in-Chief Victor Gorelick for stepping outside of the box and continuing to make Archie and his pals a relevant party of today’s comics industry.

Afterlife with Archie” is highly recommended by the Catacombs, and it arrives just in time for Halloween. Give it a read ….. if you dare!

"Gal" Friday! The Black Tape Project

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Black electrical tape is probably the least sexy thing in the world, right? Well, The Black Tape Project isn't going to have to try very hard to change your mind about that. Prepare to be mesmerized as the barriers of creative artistic design meets sensual art literally in a scintillating visual extravaganza that has captivated audiences around the globe.
This new artistic movement/fashion experiment (now in it's fourth year) attempts to creatively display the sensual nature of the human form as it vacillates between the realms of innovation and seduction. By taking one of the most common household items creator Joel Alvarez has made a real name for himself. The Catacombs highly recommends that you surf the web for even more smoking hot young ladies decked out in nothing more but basic black .... electrical tape. For now the concept itself gets the nod as this weeks official "gal" Friday+ selection.




Halloween Horror Festival [Results]!!

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I usually do something in and around Halloween, but as I've scaled back my regular posts here in the Catacombs, all you're really gonna get this year is a few brief words about some excellent films of recent vintage that I hadn't seen prior to this month. I highly recommend each of these three fright flicks.

Triangle [released 2009] and starring Melissa George, is far different from most movies that dance around the subject of the Bermuda Triangle and its mysteries. First of all, I can't recall a specific mention of the Triangle of the title, and the movie just gets right down to showing what happens to
Jess (George) as she sets sail on a yacht with a group of friends, even as she cannot shake the feeling that there is something wrong. Her suspicions are realized when their yacht hits an unusual storm and the group is forced to board a passing ocean liner to get to safety, a ship Jess is convinced she's been on before. The ship appears deserted, the clock on board has stopped, but they are not alone... someone is intent on hunting them down, one by one. And Jess unknowingly holds the key to end the terror. There are twists and turns that keep the tension high from start to finish and you simply will not see how the film ends.

Midnight Son [released 2011] and starring Zak Kilberg and Maya Parish is the story of a young man called Jacob who is confined to a life of isolation, due to a very rare skin disorder. This has him working night shift as a security guard and sleeping away his daylight hours. His world changes when he meets a local bartender and falls in love. Unfortunately, Jacob's condition worsens and forces him to drink human blood for sustenance - leading to law enforcement suspecting him in a series of grizzly murders. This is a slower paced but dynamic take on old school vampire films, that still manages to chart an entirely different course than what has been seen on screen in recent years. It is made all the more effective by a relatively unknown cast who knock it out of the park.
 
Cold Prey [originally released in 2006 as "Fritt vilt," aka Open Season] is a Norwegian slasher film, captioned for English speaking audiences. Jannicke, Morten, Eirik, Mikael and Ingunn are on a snowboarding vacation in remote Jotunheimen. They are forced to take shelter in an abandoned hotel when Morten breaks his leg and their car is too far away for them to reach within nightfall. They quickly discover that the hotel was closed down back in the seventies due to the disappearance of the original managers' son. Unknown to them, someone is still living in the hotel, and surviving their unexpected stay, isn't going to be as easy as they believe. Despite the subtitles, the film is riveting to watch. The body count rises and you just don't know whom may or may not survive the terrors of the slopes. The movie. took two years to film due to the remote location and another nine months of production.

Give them a view and see what you think; and Happy Halloween!

The Catacombs Presents: "The Invaders" (Standard; 1952)

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Here’s a slightly seasonal classic to warm you up for better scares tonight! Aliens from Mercury (of all places) attempt to take over an Earth colonized planet named Pax in "The Invaders" a fun sci-fi thriller from Fantastic Worlds #5(Sept.1952); originally published by Standard and illustrated by the great Alex Toth & Mike Peppe. This was a very short run title for Standard lasting a mere three issues, but this one  issue alone featured some real talent within its pages. In addition to Toth, John Celardo, George Roussos, Jerome Bixby and Murphy Anderson contributed work. Happy Halloween! The Catacombs acknowledges "Comic Book Plus" as the source of this classic comic story. Note: The copyright for this issue, its contents and artwork belongs to the original publishers and/or the creators and is reproduced here solely for entertainment purposes. Enjoy!

In Memorium: Nick Cardy

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Golden Age comic book artist, Eisner Hall of Famer and WWII veteran (earning two Purple Hearts for wounds suffered as a tank driver in the armored cavalry), Nicholas Viscardi has passed away at the age of ninety-three. "Nick Cardy" produced a prodigious amount of cover art for DC Comics in the 1960's and 1970s, so much so that he established himself as a cornerstone of the Distinguished Competition during his tenure at DC. Beyond that he remained as penciller on Aquaman for almost forty issues and is equally recognized for his work on Teen Titans, Bat Lash, House of Mystery, House of Secrets, Justice League of America, Tales of the Unexpected, and World's Finest. In 1950, Cardy began drawing the black-and-white daily Tarzan comic strip for writer-artist Burne Hogarth.From 1952 to 1953, Cardy assisted Warren Tufts on Tufts' comic strip Casey Ruggles. He left comics in the mid-1970s for the more lucrative field of commercial art. He painted many movie one-sheet posters including Apocalypse Now. The Catacombs extends its sincerest condolences to his family, friends and fans. I count myself lucky for having gotten to see Nick many times at conventions over the years, and will continue to treasure my original Bat Lash sketch.
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